By Phyllis Marie Jensen
Emily Carr, known as Canada’s Van Gogh, used to be a post-impressionist explorer, artist and author. In Artist Emily Carr and the Spirit of the Land Phyllis Marie Jensen attracts on analytical psychology and the theories of feminism and social constructionism for insights into Carr’s existence within the overdue Victorian interval and early 20th century.
Presented in elements, the booklet introduces Carr’s émigré English kin and youth at the "edge of nowhere" and her paintings schooling in San Francisco, London and Paris. Travels within the desolate tract brought her to the totem paintings of the Pacific Northwest coast at a time Aboriginal artwork used to be undervalued and believed to be disappearing. Carr vowed to record it earlier than turning to lively landscapes of woodland, sea and sky. the second one a part of the e-book provides a Jungian portrait of Carr, together with typology, mental complexes, and archetypal gains of character. An exam the individuation technique and Carr’s embracement of transcendental philosophy finds the richness of her character and inventive genius.
Artist Emily Carr and the Spirit of the Land offers desirable studying for analytical psychologists, lecturers and scholars of Jungian experiences, paintings background, well-being, gender and women’s studies.
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Extra info for Artist Emily Carr and the Spirit of the Land: A Jungian Portrait
Artist Emily Carr and the Spirit of the Land: A Jungian Portrait by Phyllis Marie Jensen