By Kate Davies
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There's a form of sense of right and wrong a few males keepe,Is like a Member that is benumb'd with sleepe;Which, because it gathers Blood, and wakes agen,It shoots, and pricks, and feeles as bigg as ten Donne, Herbert, and Vaughan see the sense of right and wrong as purely partially theirs, merely in part less than their keep an eye on.
This number of essays offers new readings of Huxley’s vintage dystopian satire, courageous New global (1932). major overseas students contemplate from new angles the old contexts during which the booklet used to be written and the cultural legacies during which it looms huge. the quantity affirms Huxley’s prescient reviews of modernity and his carrying on with relevance to debates approximately political energy, artwork, and the vexed dating among nature and humankind.
Robert Louis Stevenson's departure from Europe in 1887 coincided with a vocational quandary brought on via his father's demise. Impatient together with his confirmed identification as a author, Stevenson used to be wanting to discover other ways of writing, while that dwelling within the Pacific inspired a number latent highbrow and political pursuits.
Visuality within the Novels of Austen, Radcliffe, Edgeworth and Burney argues that the proliferation of visible codes, metaphors and references to the gaze in women’s novels released in Britain among 1778 and 1815 is extra major than students have formerly stated. The book’s leading edge survey of the oeuvres of 4 culturally consultant ladies novelists of the interval spanning the Anglo-French warfare and the conflict of Waterloo unearths the significance of visuality – the continuum linking visible and verbal verbal exchange.
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Catharine Macaulay and Mercy Otis Warren: The Revolutionary Atlantic and the Politics of Gender by Kate Davies